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About Me
Michele Flipside
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I was having the time of my life; these were the golden years of punk rock in HB – always a party, every
day and every night. I met all the bands, The Crowd, The Screws, The Blades, Social Task,
Vicious Circle, etc. Meanwhile, The Fleetwood
in Redondo Beach started happening with big shows featuring bands from Huntington, the South Bay, Orange County ("OC") and Hollywood, often on the same bill.
At about this time, HB was getting a bad rep as a bunch of troublemaking kids who beat people up at shows.
This prompted me to write into Flipside Fanzine to explain that a lot of this was just nonsense.
Al Flipsidethen asked me to come on
board writing my own column on the HB scene. I had also become very connected with the then burgeoning
Orange County scene as my dad lived there and I had quite a few pen pals there including
Mike Palm (Agent Orange) and Tony Cadena (Adolescents).
I quit writing in the summer of 1983 and didn't even write a farewell address after such a long stint. You'd think I would have. But my reasons for leaving, which had nothing to do with Flipside, just would have read like a big gripe report. By this time, the music scene was really changing; bands that had been the hallmark of the earlier years were retiring or forced into retirement as the hardcore and straight-edge scene took the forefront. In my opinion, it was the end of an era; it was the beginning of the dark ages of punk. I had written little editorials and letters against the straight-edgers and against the violence at the gigs. I was just fed up and as the scene was continuing to go in that direction, it was time for me to go. That was it.
During this time period, I covered the Silverlake scene, and the more hard-rock "Hollywood" scene. Favorite bands interviewed or written about from that time period included Spindle, Possum Dixon, The Philistines Jr., The Haskells, Kryptonite Nixon, Ridel High, Skull Control, and The Humpers. I also participated and covered the very strange activities of the Los Angeles chapter of the Cacophony Society, a group of pranksters and artists. The column became pretty eclectic, covering such diverse subjects such as Los Angeles architecture, Huell Howser sightings and even Danzig's Franklin Avenue house. Later, as things began to fizzle, I began covering the grassroots lounge scene which was to eventually grow into a slick corporate co-opted national fad, symbolized by the ever-present cigar and martini. I left Flipside in 1998 to concentrate on finishing my master's thesis (I have a master's degree in urban geography), as I just couldn't make the bi-monthly Flipside deadlines anymore. That time, I wrote a very nice farewell column and retrospective. I continued to write for Organ & Bongos, a small lounge fanzine out of Seattle, until even their quarterly deadlines became more than I could handle.
Flipside Fanzine folded in December 2000 (according to Katz, a longtime Flipside staff writer). For details on the demise of Flipside Fanzine, please visit the FAQs page. So that's my story. If you want to reminisce or correct me on something, just shoot me an email. – Sincerely, Michele Flipside. | |