I am writing this from memories going back over 20 years, so I apologize for any factual errors that may be
contained herein. You are welcome to email me and help correct them!
I am a native Californian and lived in Orange County until I was about 13, when my family moved to
Hermosa Beach California, one of 15 cities that make up the greater South Bay area. Moving to the
beach was a bit of a culture shock as everyone there had a tan and I didn't. I had curly brown
hair, not straight long blonde hair as was the "norm." Due to these flawed physical qualities, I was
relegated to the life of a wallflower, hanging out with a few close girlfriends who were not popular either.
My life changed forever when in 1977, I picked up a Creem Magazine and saw an article about the Sex Pistols.
I was 15 or 16 years old at the time. I was immediately attracted to their "FU" attitude towards popular,
music, culture and especially dress. Punk rock provided an immediate vindication of everything I had
thought to myself.
I shortly thereafter showed up in school wearing a ton of white makeup and a custom made torn up safety pinned
shirt. That attracted the only three other punks at the school and soon we were all buddies – us against
the jocks and status quo of Mira Costa High School.*
One of them was David Nolte
who played bass in his brother's band, The Last.
The other two were long-time Hollywood clubbers named "Marz" and "Ratz".
Next we befriended two other students, Bill Stevenson and Frank Navetta
who'd started a band called The Descendents. Then on my way to school one day, I met
Janet Housden (Red Cross, Love Dolls) who became a quick convert to punk. Then I befriended a kid in my English class named
David Levine. With his electronics background, he quickly became a fixture at the clubs recording
bands and eventually formed the company Rat Sound (see links).
Steve Anderson, another kid I had classes with, was heavily
into Ted Nugent and status-quo rock music, although he was very friendly with us. In '81, I saw him at
the La Vida Hot Springs gig. He went on to form the punk band,
Slovenly (SST Records). It was tough being a punk in those days;
the Zeppelin worshiping jocks and surfers threw food at us and called us names. I'd walk home
from school and routinely kids driving by would yell at me, "Seymore's Fright Night" or "Dawn of the Dead."
At the time, I had a real sense of the importance of "the movement" as we used to call it. I kept a diary of events and a scrap book
of every article on punk I could find. Janet and I even talked about bringing in a movie camera to record gigs
at The Masque. Unfortunately, my parents didn't want their 16-year-old
daughter going to nightclubs in Hollywood. (Up until this time, my curfew was to be home by 6pm!)
I had many arguments with them over allowing me to go see bands. I tried every approach but nothing seemed to work.
Finally, I snuck out my bedroom window and just took off. I went with Marz, Ratz
and the gang to The Masque -
the only time I ever went to the Masque. I saw Arthur J. and the Goldcups, Weirdos, Controllers
and Black Randy (12/31/77).
It was one of the most exciting moments in my life.
However, my parents freaked out, discovered my diary and I never saw it again.
I was kicked out and had to live with my dad in Orange County. After two weeks, I came back
to live with my mom and step dad and we worked out a 12 midnight to 1AM curfew situation. Under those circumstances,
it was very difficult to see bands; often I was leaving before the headlining act. I was often grounded and
there were many many shows that I missed out on due to the restrictions.
The punk world was so small that if you saw a punk walking down the street and you didn't know them,
you went over and introduced yourself. That's how people met and networked. There was a real
sense of comaraderie that would later disappear in the early 1980s as the scene got too big and
kids fell into clicks. Soon enough we found out about The Church
and Black Flag. Black Flag
was virtually unknown at the time, just beginning to play shows. The Church
became a central part of the scene; a site of frequent parties and a band rehearsal space as well as a crash pad.
Red Cross and The Disposals
were regulars down there. The parties brought punks from as far away as Hollywood
and Huntington Beach ("HB").
Which brings me to how I started writing for Flipside.
I was at a Clash show at The Santa Monica Civic
one night when I met two guys from Huntington Beach; Ray-Zer
(real name, anyone?) and Chris Martin.
They invited me to Edison High School to check out their scene.
So I ditched school and took a bus down to Edison. I met and made fast friends with all the HB gals and soon enough, I was more involved in what was
going on down there in Huntington, than I was with what was doing on in the South Bay.
I made so many phone calls to Huntington Beach, that I had my own phone in my room and a flat rate $60 per month
plan to cover my calls down there. In those days (circa 1979-1980) every weekend there was a party, in fact,
there were parties usually going on throughout the weekend. Sissy Barela,
who I had met at a Church party, became my best friend and most weekends we could be found at HB parties and/or at gigs at the
Cookoo's Nest.
*Our school was selected by
The Ramones to be extras for the filming of Rock 'n Roll High School. When the film
was completed, we had a special event screening in the school
auditorium. Now you would think this filming experience would have created some new understanding between
us and the sheep of Mira Costa High School. But I don't remember being treated any different. High School
was a bitter experience; I have blocked it from my mind and have never attended any high school reunions.
In high school I went from a mundane wallflower existence to a hated freak punk rocker. But as a punk,
I lived a grand life with new-found popularity that I never had as a high school student.
As far as I'm concerned, with a few notable exceptions (see above), the rest of my fellow Mira Costa
High School students can all rot in hell.